A film about a building, the newly restored Hoboken Railroad Terminal. As the title implies, it is an homage to Marie Menken and a take-off on her sketch of the Alhambra. It uses some of her fast-frame techniques, setting the building into motion, playing with the contrast of the stained glass windows against other decorative elements. The sound track is mostly informational, speaking of Menken's contribution to the Experimental film. It precedes the image. –M. G.

A film about a building, the newly restored Hoboken Railroad Terminal. As the title implies, it is an homage to Marie Menken and a take-off on her sketch of the Alhambra. It uses some of her fast-frame techniques, setting the building into motion, playing with the contrast of the stained glass windows against other decorative elements. The sound track is mostly informational, speaking of Menken's contribution to the Experimental film. It precedes the image. –M. G.

He's twenty-five. She's thirty-five. He is a young agricultural engineer. She runs a nightclub in Cahors. He's a runner and a pretty boy. She's beautiful and unscrupulous. They like each other. People gossip about them. He persists. She leaves, afraid to see such a beautiful love deteriorate. She returns. He wants to marry her. She tells him it's no longer possible. Out of spite, he throws stones into the bushes. And then, after all, he comes to his senses.

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Forty-eight years after Marie's heart stopped beating, she learns she is about to die. The young Nico, Marie's young granddaughter, is subsequently exposed to the darker sides of her family.

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